Bibliography

Isabelle Ringer, Art Review: First Friday – Artwalk, Piedmont Post, July 8, 2009, p. 17

DeWitt Cheng, Chosen Terrain, East Bay Express, September 17-23, 2008

Isabelle Ringer, Art Review: First Friday Art Walk, Piedmont Post, September 10, 2008 p.19

Don Farmer, Artists in residence, Wairarapa Times Age, New Zealand, February 26, 2008 p.5

Inquiring Mind, Fall 2005 (vol. 22: no. 1): five artworks illustrated.

Patricia Beach Smith, “‘Sweet Tooth’ lets artists play with their food.” Sacramento Bee, Feb. 23, 2003

Groupe Mémoires. Paris: Tiempo Editions, 2001.

Jean-Louis Avril, “Le Groupe Mémoires: Retenir le passé… au présent qui déjà fuit.” Univers des Arts, March 2001, pp. 41–43.

“Le Groupe Mémoires à la Galerie Dukan.” Beaux Arts Magazine, March 2001, p. 123.

Sakane Kahori, “WTC Exhibit Showcases for Int’l Artistic Talent.” The Daily Yomiuri, June 28, 2000.

Nami Kogi, “Exhibition titled ‘Shimabara’.” Shimabara News, June 15, 2000
(in Japanese).

Matthias Gafni, “Take a trip to Ratcliff’s ‘Memory Park’.” Vallejo Times-Herald, May 5, 2000, C-1,2.

Abby Cohn, “Gallery Offers Glowing Display.” San Francisco Chronicle, March 3, 2000.

Abby Cohn, “Vallejo’s Living on Easel Street.” San Francisco Chronicle, Nov. 15, 1999

Jolene Thym, “What Is Art? What Are You?” Oakland Tribune, March 7, 1999, L-1,4

Scott Ponemone, “Colonies aid artists’ creative flow,” The Sun (Baltimore), Feb. 24, 1998, 2A

“Class Notes,” RISD Views, Providence, R.I.: Fall 1997, 32

Harry Roche, “Bay Area: Addison St. Windows,” San Francisco Bay Guardian, June 1997

Deirdre Boyle, Subject to Change-Guerilla Television Revisited, New York: Oxford Press, 1996

“re: Mixed Messages,” (artist statement), Art Beat, Northern California Women’s Caucus for Art newsletter, December 1996-January 1997.

Rusty Cantor, “The Artist Speaks” (interview), Art Beat, No. California Women’s Caucus for Art newsletter, April-May 1996.

Lynn Novelli, “Gallery-Artist Contracts That Work,” Sculpture Magazine, April 1996.

In Three Dimensions: Women Sculptors of the ’90s, catalog, NY: Snug Harbor Cultural Center, 1995.

Adrienne Emmering, “On the Wall, Standing Tall,” Solano Community College Tempest, Oct. 26, 1994

Mary Hull Webster, “Manipulated Desires,” Artweek, July 21, 1994

Terri Cohn, Mirror, Mirror: Gender Roles and the Historical Significance of Beauty, catalog, California College of Arts & Crafts: 1994

Jolene Thym, “Art Comes Home Again,” Oakland Tribune, May 31, 1994

“Alumni Focus: Sculptor Mary Curtis Ratcliff, ’67,” Rhode Island School of Design San Francisco Alumni Club Newsletter, March 1994

Angelica Passantino, “The Sculptures of Mary Curtis Ratcliff,” The Pacifican (Stockton, CA), Nov. 4, 1993

Pro Arts Annual Juried Exhibition, catalog with essay by Jacquelyn Baas, Oakland, CA: 1990.

Estella Lauter, “Women as Mythmakers Revisited,” paper delivered at national conference of Women’s Caucus for Art, San Francisco, Feb. 1989

Jane V. Kotowski, “Wind Sculptures on Exhibit,” Piedmonter-Piedmont Oakland Bulletin, Sept. 26, 1984

Evelyn Keilson, “Wall Sculpture,” Center for the Visual Arts, catalog, Oakland, CA: 1983

Four Drawings, The Rural Arts Newsletter, Mendocino, CA, August, 1983

Barbara Hairston, “Wind Sculpture,” Cloverdale Reveille, Cloverdale, CA, July 28, 1982

Evelyn Keilson, Center for the Visual Arts, catalog, Oakland, CA: 1982

Carrie Lederer, The Exchange Show, catalog, San Francisco/Berlin: September 1981

Women’s Caucus of Art, The Western Edge, catalog, San Francisco: February, 1981

Ann W. Heymann, “The Contemporary Collection of Austin Conkey, M.D.,” Artcraft Magazine (San Francisco), April-May 1980

Photograph of sculpture “Amelia,” Woman Spirit, Wolf Creek, Oregon: June 1980

Andy Jenkins, Shidoni Gallery catalog, Tesuque, New Mexico: April 1979

Margy Boyd, Artists’ Soap Box Derby, official magazine, San Francisco: May, 1978

Emory Holmes, “Sculptor uses Hoops and Ribbons,” Cloverdale Reveille, October 11, 1978

Rosanna Hall, “Festival opening called success,” The New Mexican, Santa Fe: October 8, 1978

Terry Wolverton, “Art of Transformation,” Chrysalis, Los Angeles: March 1978

Alice Kling, Flags, Banners and Kites Engagement Calendar, Seattle: 1977

Jan Zimmerman, Signed by a Woman, video tape, San Anselmo, CA: 1976

Margy Boyd, The First Artists’ Soap Box Derby, official magazine, San Francisco: May, 1975

Alfred Frankenstein, “Bringing the Whitney Home,” San Francisco Chronicle, June 26, 1975

Alfred Frankenstein, San Francisco Chronicle, November 8, 1975

Photograph of sculpture “Feather Hoop,” Woman Spirit, Wolf Creek, Oregon: September 1974

Davidson Gigliotti, Videofreex: 525 Tapes, exhibition poster, New York: January, 1973

Parry Teasdale, “Video Wedding at the Freex,” Radical Software, New York: September 1972

E. Roy Levin, Documentary Exploration, New York: Doubleday, 1971

Russell Connor, Vision and Television, catalog, Waltham, Mass., January 12, 1970

Web links for previous bodies of work:
Mary Curtis Ratcliff at the Varo Registry